The upcoming ‘2024 FNS Music Festival’ and ‘Tele-Tokyo Music Fest 2024 Summer’ have announced their initial lineups, sparking interest in the differences between the two programs. While Tele-Tokyo has included former Johnny’s Entertainment artists, Fuji TV’s lineup features STARTO Entertainment talents, reflecting the evolving industry landscape following the Johnny Kitagawa scandal.
This article will explore the implications of these programming decisions and their potential impact on the future of music television in Japan.
- The first-wave artists for the ‘Tele-Oshi Music Fest 2024 Summer’ and ‘2024 FNS Music Festival Summer’ have been announced, with a notable difference in the lineups.
- The ‘Tele-Oshi Music Fest 2024 Summer’ will feature 24 artists, including former members of Kis-My-Ft2 and Princess Princess, while the ‘2024 FNS Music Festival Summer’ will have 28 artists, including former members of Janiisw West.
- The difference in the lineups suggests that TV Tokyo has been more cautious in featuring talents associated with the former Johnny’s Entertainment agency, while Fuji TV has been more open to including them.
- The reports suggest that the hiring policies for these music programs may change after the complete withdrawal of the former president, Julie Fujishima, from the related company.
- Viewers hope that the music programs will feature a diverse range of artists without any undue influence or favoritism, and that the “unproductive conflicts” among fan groups will come to an end.
- FNS Music Festival Summer & Tele-Edu Music Fest Announce First Round of Performers: Tele-Edu Shuns Former Johnny’s Talent, but Changes Anticipated Next Year
- A Tale of Two Networks: Differing Approaches to Former Johnny’s Talent
- Hopes for Unbiased Talent Selection and Viewer-Friendly Programming
- Q&A: “FNS Music Festival: Summer Lineup and Telex Music Fest Performers Announced; Potential Change in Talent Selection at TV Tokyo”
- What are the key differences between the artist lineups for the ‘FNS Kayōsai Summer 2024’ and ‘Terebi Tokyo Music Fes 2024 Summer’?
- How have the networks responded to the Jani Kitakawa sexual abuse scandal?
- What is the expected impact of Fujishima Jurie Keiko’s complete departure from STARTO ENTERTAINMENT?
- Public Opinion: “FNS Music Festival: Summer Lineup and Telex Music Fest Performers Announced; Potential Change in Talent Selection at TV Tokyo”
Happy to See a Diverse Lineup!
- Disappointing Lack of Newcomers
- Prioritizing Ratings Over Artistry
- Refreshing to See Diverse Representation
- Concern Over Ongoing Agency Politics
- Missed Opportunity to Showcase Emerging Acts
- Cautiously Optimistic About the Changing Landscape
- Celebrating Musical Diversity is Key
- A Missed Opportunity for True Innovation
- Hopeful for a More Inclusive Future
- 関連記事:
FNS Music Festival Summer & Tele-Edu Music Fest Announce First Round of Performers: Tele-Edu Shuns Former Johnny’s Talent, but Changes Anticipated Next Year
Tele-Edu Music Fest 2024 Summer Line-up
The first round of performers for the ‘Tele-Edu Music Fest 2024 Summer’ program on TV Tokyo has been announced. The lineup features 24 artists, including:
- INI
- imase
- IS:SUE
- AKB48
- Maki Ohguro
- Kaori Kishitani (ex-Princess Princess)
- Hiromitsu Kitayama (ex-Kis-My-Ft2)
- Mai Kuraki
- Ken Yokoyama
- Masahiro Kondō
- THE RAMPAGE from EXILE TRIBE
- SHIN
- JO1
- Da-iCE
- Chanmina
- DXTEEN
- BAAD
- FRUITS ZIPPER
- FANTASTICS from EXILE TRIBE
- FIELD OF VIEW
- Yuya Asaoka (FIELD OF VIEW)
- Young Skinny
- LIL LEAGUE
- Ryokuoushoku Shakai
- Marina Watanabe
FNS Music Festival Summer 2024 Line-up
The first round of performers for the ‘FNS Music Festival Summer 2024’ program on Fuji TV has also been announced. The lineup features 28 artists, including:
- Aina The End (ex-BiSH)
- Hiroshi Inaба (B’z)
- WEST. (formerly Janiーs WEST)
- Aぇ! group
- Omoinotake
- Mai Kuraki
- Hiromi Gō
- SUPER BEAVER
- Takashi Matumoto
- Da-iCE
- DA PUMP
- ときめき（Heart）Sendenbu
- Bullet Train
- DISH//
- Def Tech
- NewJeans
- NEWS
- Bubble Gum Brothers
- BE:FIRST
- Hinatazaka46
- FANTASTICS from EXILE TRIBE
- BLUE ENCOUNT
- ME:I
- Mrs. GREEN APPLE
- Musical ‘Mozart!’ (Yuta Furukawa × SixTONES・Taiga Kyōmoto)
- Momoiro Clover Z
- Yuzu
- LE SSERAFIM
A Tale of Two Networks: Differing Approaches to Former Johnny’s Talent
Tele-Edu Shuns Former Johnny’s Talent, Fuji TV Embraces Them
At the time of the first performer announcement, Tele-Edu featured no artists from the STARTO ENTERTAINMENT agency, which was formerly part of Johnny’s Entertainment. In contrast, Fuji TV’s lineup included several acts associated with the former Johnny’s agency, such as Aぇ! group, WEST., and NEWS.
“After the sexual abuse scandal involving Johnny Kitagawa, Tele-Edu has been avoiding the use of former Johnny’s talents, but this policy is expected to change next year as the complete withdrawal of former president Juliet Fujishima is anticipated.”
NHK and Tele-Edu Maintain Stricter Policies
NHK has already removed all former Johnny’s talents from its programs, while Tele-Edu has largely avoided using them. However, this is expected to change after the complete withdrawal of former president Juliet Fujishima, as the networks may return to their previous policies.
“Currently, commercial networks like Nippon TV, TBS, and Fuji TV are relatively open to using STARTO talents, while NHK and Tele-Edu remain more strict. But it is said that after the complete withdrawal of Juliet Fujishima, the situation will change, and the ‘founding family”s complete departure will be a ‘line’ for new talent use.”
Hopes for Unbiased Talent Selection and Viewer-Friendly Programming
Avoiding Unproductive Conflicts
The news report suggests that the complete withdrawal of former president Juliet Fujishima could help resolve the unproductive conflicts that have arisen among fans of different talent groups due to the networks’ policies. It is hoped that the networks will return to a more balanced approach without undue favoritism.
Prioritizing Viewer Preferences
The article expresses the hope that the networks will not simply revert to their previous policies, but will instead focus on selecting artists that viewers genuinely want to see, without unnecessary considerations or biases.
The news article highlights the contrasting approaches of two major Japanese television networks, Tele-Tokyo and Fuji TV, in their artist lineups for their respective music festivals. While Tele-Tokyo seems to be avoiding artists associated with the former Johnny’s Entertainment agency due to the sexual abuse scandal involving the agency’s founder, Fuji TV appears to be more open to incorporating these “ex-Johnny’s” artists into their programming. This dichotomy reflects the broader industry-wide debate on the appropriate handling of such sensitive issues and the desire to balance audience preferences with ethical considerations. It will be interesting to see if the complete withdrawal of the former president of STARTO Entertainment, the company that inherited the Johnny’s assets, will lead to a shift in the programming policies of both networks, potentially allowing for a more equitable and transparent approach to artist selection that satisfies both the networks and the viewers. The resolution of this controversy could set an important precedent for the Japanese entertainment industry as it navigates these complex challenges.
Q&A: “FNS Music Festival: Summer Lineup and Telex Music Fest Performers Announced; Potential Change in Talent Selection at TV Tokyo”
What are the key differences between the artist lineups for the ‘FNS Kayōsai Summer 2024’ and ‘Terebi Tokyo Music Fes 2024 Summer’?
The key differences are that Terebi Tokyo Music Fes does not feature any artists from STARTO ENTERTAINMENT, while FNS Kayōsai Summer includes several artists from the former Johnny’s Entertainment agency, such as Aぇ! group, WEST., and NEWS. However, this is expected to change next year as Terebi Tokyo may start featuring more former Johnny’s artists after the complete departure of Fujishima Jurie Keiko from the company.
How have the networks responded to the Jani Kitakawa sexual abuse scandal?
NHK has completely removed all former Johnny’s talents from their programs, while Terebi Tokyo has largely avoided using them as well. In contrast, Fuji TV has continued to cast former Johnny’s talents in their dramas and programs, including Snow Man’s Meguro Ren and Hey! Say! JUMP’s Yamada Ryōsuke.
What is the expected impact of Fujishima Jurie Keiko’s complete departure from STARTO ENTERTAINMENT?
With Fujishima Jurie Keiko’s complete withdrawal from the company, the hiring policies of NHK and Terebi Tokyo are expected to return to normal, potentially leading to a resurgence of former Johnny’s talents being featured on their programs. However, it is hoped that networks will focus on booking artists that viewers are genuinely interested in, rather than making decisions based on corporate connections.
Public Opinion: “FNS Music Festival: Summer Lineup and Telex Music Fest Performers Announced; Potential Change in Talent Selection at TV Tokyo” Happy to See a Diverse Lineup!
Wow, what a great lineup for both music festivals! It’s awesome to see a mix of established artists and up-and-coming acts across different genres. I’m especially excited to see STARTO Entertainment artists getting more exposure on these shows. The rivalry between networks is interesting, but as long as they put on a good show for the viewers, that’s what really matters.
Disappointing Lack of Newcomers
The artist lineups seem a bit too safe and predictable. I was hoping to see more new and emerging talents being featured, rather than just a bunch of familiar faces. While it’s great to have some big names, these music festivals should be an opportunity to showcase fresh and innovative artists as well. Hopefully, the organizers will mix things up a bit more in the future.
Prioritizing Ratings Over Artistry
It’s disheartening to see the networks seemingly prioritizing ratings and controversy over genuine artistic merit. The focus on “retired Johnny’s” and STARTO Entertainment artists feels more like a ploy to draw in viewers rather than a genuine celebration of music. I hope the producers can find a better balance between commercial appeal and supporting truly talented musicians, regardless of their agency affiliations.
Refreshing to See Diverse Representation
I’m really pleased to see a diverse range of artists being featured across both festivals. It’s great to see a mix of established acts, up-and-coming talents, and even some “retired Johnny’s” members getting the spotlight. This kind of inclusive approach is exactly what music festivals should be aiming for. It’s a positive step towards representing the full breadth of Japan’s vibrant music scene.
Concern Over Ongoing Agency Politics
While I appreciate the attempt to move beyond the divisive agency politics, I’m still concerned that the networks are allowing those dynamics to influence their programming decisions. It feels like the artists are being used as pawns in a larger power struggle, rather than being celebrated for their art. I hope the producers can find a way to move past these petty conflicts and focus on delivering an exceptional music experience for the viewers.
Missed Opportunity to Showcase Emerging Acts
I was a bit disappointed to see the lineups so heavily dominated by established artists and agency-affiliated acts. These music festivals should be a platform to showcase the next generation of musical talents, not just a reunion for familiar faces. Hopefully, the producers can find a way to balance fan-favorites with more unknown, up-and-coming acts in the future. That would make for a much more dynamic and exciting viewing experience.
Cautiously Optimistic About the Changing Landscape
It’s interesting to see the shifting dynamics between the networks and the various talent agencies. While the agency politics have been a source of frustration in the past, I’m hopeful that the complete departure of the STARTO Entertainment leadership will pave the way for a more level playing field. If the networks can truly move beyond the influence of these power struggles, it could lead to more diverse and compelling programming. I’ll be watching these festivals with an open mind to see how things unfold.
Celebrating Musical Diversity is Key
At the end of the day, what matters most is that these music festivals showcase the incredible breadth and depth of Japan’s musical talent. Whether it’s established acts or up-and-coming artists, mainstream pop or underground sounds, the goal should be to celebrate the richness and diversity of the industry. I hope the producers can find a way to put that spirit of inclusivity and artistry at the forefront, rather than getting caught up in the agency politics and power struggles.
A Missed Opportunity for True Innovation
While the lineups for both festivals seem solid, I can’t help but feel that the networks are playing it safe and catering to the same old crowd. Music festivals should be a platform for pushing boundaries and introducing audiences to new and innovative sounds. Instead, it feels like the focus is more on nostalgia and familiar names. I hope the producers can take a few more risks in the future and truly surprise and delight the viewers with their programming choices.
Hopeful for a More Inclusive Future
It’s encouraging to see the networks taking steps to move beyond the influence of the agency politics that have dominated the industry in the past. The complete departure of the STARTO Entertainment leadership is a positive sign, and I’m hopeful that it will pave the way for a more inclusive and diverse representation of talent on these music festivals. Ultimately, what matters most is that the viewers are treated to an exceptional musical experience, regardless of the artists’ agency affiliations.